Wednesday, March 4, 2009

Rato Bangala Kitab - Quality Children's Literature for Nepal


In 1992, during the very first teacher-training session at Rato Bangala we organized a writing workshop for the faculty. Each teacher was asked to compose and illustrate a children's story, then to share his/her work with the group and to make revisions before submitting a final draft. The results were amazing! We discovered a wealth of talent among that initial group of educators and from that first set of books came the inaugural title published by Rato Bangala Kitab, the publishing division of the Rato Bangala Foundation. Mangale Ko Changa, by Punyasheel Gautam, is the story of two boys and a kite, composed in rhyming Nepali verse and illustrated (using a combination of collage and tempera paint) by the author. Published in 1993, it has quickly become a classic.

Since then, Rato Bangala Kitab has expanded to include an impressive list of titles published in Nepali, English and over a dozen other regional languages. To list just a few: The Adventures Of A Nepali Frog recounts the travels of an intrepid amphibian; Kaag Kaag Kauwa introduces the alphabet to young children; Khadkhadai is set in the Nepali jungle; and Chhandaka Ek Saya Ek Kabita presents 101 poems in traditional Nepali rhyming meter. These books are available for purchase by families and schools throughout the country, and several are also included in the collected learning materials distributed to rural schools by the foundation. (More about this project to come.) The Foundation continues to sponsor writer's workshops and the work of producing quality literature for Nepali children moves forward.

A complete catalog of Rato Bangala Kitab titles is available at http://www.rbf.org.np/catalogue.html.

-Beth


Monday, March 2, 2009

Rato Bangala: It's Not Just A School ... It's A Foundation

As I mentioned in an earlier post, I'm very proud of my ongoing affiliation with the Rato Bangala School, a wonderful example of progressive education at work in Nepal. But there's more to Rato Bangala than just a school for kids from the Kathmandu area. From our very first conversations, all of us involved in this project envisioned an institution that would impact education for children throughout the region, not simply those from a particular economic class or location. With this mission in mind the Rato Bangala Foundation was begun. Because I don't think I can say it better myself, I will quote now from the Foundation's mission statement:

Since 2002, the Rato Bangala Foundation has been immersed in the challenging task of improving the quality of education in Nepal, with primary focus on schools run by the government. To fulfill its mission, RBF trains teachers, develops teaching/learning material and publishes children's literature. In line with its philosophy the Foundation works in formal collaboration with the Department of Education of the Government of Nepal, and partners with various agencies and organizations which are engaged in the task of improving teaching in the classroom ... Taking a 'whole school' approach, the Foundation works with parents, teachers, administrators as well as students so that all get a sense of empowerment and ownership towards the institution and its development.

RBF's approach is multi-faceted and I will use my next few blog posts to describe various components of their work. First up: books!

-Beth

If you would like to make a donation to support the work of the Rato Bangala Foundation, please contact me: bnorford@mac.com. Your contribution will make a difference to the children and teachers of Nepal. (Note: Contributions are not yet tax-deductible in the US, but we're working on it.)

Friday, January 16, 2009

Education in India - A Subjective Overview

Let me state from the outset of this post that I am not a formal scholar of South Asian educational history and there’s obviously much that I don’t yet know about the topic. My impressions and opinions are based on a combination of reading, observation and experience. I was a middle and high-school student in India myself - at an international school that, while certainly not typical, provided me with my first exposure to education in the region. Since then I’ve been lucky enough to work and study further in India, Nepal and Pakistan … and now to share my thoughts on those experiences. I repeat my usual entreaty. I invite those who read this blog to think of it as an online conversation and to respond to my statements, to question my opinions or to expand on what I have to say.

Many, many cultural, religious and political traditions have informed the practice of education in South Asia over centuries (and I hope to address some of these in future posts). But the contemporary system is based mainly in European and British pedagogical thinking. (Since each of the countries in the subcontinent has a unique modern history, I’ll focus only on India for the rest of this post.) In India, European schooling was introduced first by Christian missionaries and then augmented by the colonial powers (mainly British) that assumed political control of the region. Most classrooms look much like those in the West: a teacher, a blackboard, students at desks or benches working from textbooks. The curriculum is based on the standard “3 R’s”. The primary medium of instruction for many schools is English; for others it is the language of the local region. Class sizes tend to be large– sometimes 50 or above. As a rule, tests are paramount as assessment tools in Indian schools and there is a rigorous testing schedule in all subject areas. There are several standardized national examinations that hold tremendous weight and the most important of these are administered in grades 10 and 12. Some schools are religiously based, some are government-run and some are private but secular.

Pedagogically, most Indian schools rely on a model that stresses repetition, memorization of facts and methodology, and the primacy of teachers and texts as intellectual authorities. There is very little room for experience-based learning, for open-ended experimentation and discussion, or for critical thinking that might challenge sanctioned content and procedure. There ARE advantages to this system. Indian students tend to be disciplined scholars with an impressive mastery of subject matter. But they often find themselves at a loss when asked to answer open-ended questions or to formulate their own theories or opinions. Many students who have moved from Indian schools to American colleges and universities say they’ve found themselves better-prepared than their Western peers in math and science, but at a disadvantage when asked to write papers in the arts or social sciences.

My own agenda should be clear by now. I am a progressive educator who believes in the value of rich experience, collaboration, the arts and critical thinking – all largely absent in the typical Indian classroom. That’s the bad news … but there’s much to celebrate as well. There have always been alternatives in India and there certainly are now. There is an amazing range of schools, pedagogies, teaching methods and educational experiences available for kids and parents, and an incredible community of educators who administer these programs. Further, my sense is that now, more than at any time in the past few centuries perhaps, a major movement toward rethinking learning and pedagogy is gaining momentum. As India assumes a new and increasingly powerful role in the international community, parents are recognizing that their children need more than the ability to memorize and catalog facts. Most don’t know what form such an alternative might take and are anxious about moving away from a system that they know. Addressing these concerns is the work of progressive education and I’m looking forward to being part of that work.

-Beth

Saturday, December 6, 2008

The Rato Bangala School, Kathmandu, Nepal


I made my first trip to Nepal back in 1990. I was a teacher at the Bank Street School for Children at the time, spending my summer break in South Asia, and I knew that a Bank Street family had recently returned to Kathmandu after several years of graduate study in the US. I called them when I reached the city, they graciously invited me to their home for dinner ... and the rest is history. At least it's become a big part of my own personal history. The Dixit family was frustrated by the educational options available at the time for their own young children. They had been thrilled with their Bank Street experience and recognized the potential for progressive education to make a difference in Nepal - not just for their kids but for the entire country. We talked that evening about the dream of starting a new school and the possiblity of working in collaboration with Bank Street to bring quality progressive education to the region. The Dixits have long been prominent in the Nepali intellectual/literary community and they were willing to commit time and resources (even their house!) to such a project. By the time I left to return to New York I was full of enthusiasm and energy and one of the first things I did when I got back there was approach Nona Weekes, the School for Children Dean, with my scheme for a Bank Street/Nepal connection. Nona thought it was a great idea and with her support I managed to secure Bank Street backing and funding for our first official consulting trip in 1991, the following summer. Nona and I traveled to Nepal, met with the Dixits, with other educators in Kathmandu, with members of the faculty at Kathmandu University and even with Nepal's minister of education. We brainstormed. We problemsolved. We planned and discussed. The Dixits worked tirelessly throughout ... And in 1992 the Rato Bangala School opened its doors to its first two classes of students in grades three and four.

There's much more to come on Rato Bangala, but in my next few posts I plan to shift focus a bit and give a very cursory sketch of the history and current state of education around South Asia. In order to understand just how revolutionary the accomplishments of the Dixits and other educational reformers in the region have been, it's necessary to understand the system within which they work.

Any other suggestions/ideas for future topics? I'd love to hear from you!

-Beth

Sunday, November 30, 2008

How To Make A Book, pt. 2


I'll conclude this Lucknow chapter of my blog with some final praise for the books that our students created. Not their stories this time, but the books themselves: the covers, the pages ... the works of art they made from the materials we'd collected around the city. We worked on bookbinding throughout the writing process so that while some students composed and illustrated stories, others took turns putting their books together. The process involved several steps. First, each child covered two pieces of pre-cut cardboard with cloth s/he had chosen. The cloth was cut and folded - wrapping paper style - and fixed to the cover boards with all-purpose glue (Fevicol is the most common brand in India). Next, the two pieces of cardboard were joined at the spine with bookbinding cloth - again using Fevicol. To create pages, we had pre-sized paper prepared and the kids used embroidery thread and needles to sew the sheets together. Finally, they glued their pages into their covers and the basic books were complete. (If you would like to try this activity with your students and need more detailed instructions, please email me and I'll be happy to work with you.) I discovered that my students grasped the mechanics of the bookbinding process very quickly and that once the first few of them had finished, they became self-appointed instructors for their peers. This left my me and my colleagues free to focus on the revising and editing of stories. When that process was complete, final text and illustrations were copied into finished covers and when that process was finally done ... then we got to everybody's favorite part: the decorations! In India it's easy to find a wonderful assortment of buttons, lace, beads, sequins ... all of the accessories that go with the thriving personal tailoring trade. There's a great store in Lucknow called Button House that carries all these products and we managed to make a deal there for a big bag of assorted end-pieces: the short remnants from the thousands of rolls of fancy trim they stock. The students loved personalizing their covers with our treasures from Button House and it was a great way of finishing up the project. The results speak for themselves. (Click on each picture to see a close-up version.)



Next post: Progressive Education in Nepal - The Rato Bangala School

-Beth

Wednesday, November 26, 2008

How To Make A Book


The basic materials for bookbinding with kids are just that: basic. There's nothing particularly complicated or expensive about any piece of the process, but it can take some searching and organizing to bring all of the components together. For this, my greatest assets in Lucknow were Ram Advani and Raju. Ram Advani is the owner of Lucknow's premiere book store, a man beloved by all of the many scholars who visit the city. He's always got an empty chair, a cup of tea and plenty of excellent conversation for those who visit his shop, and from the moment I met him I knew I'd found a kindred spirit. When Ram heard about the project I had planned for my students, he offered his assistance with anything I might need. And that's where Raju came in. Raju is Ram's very able assistant - a man who knows where to find things and how to get things done in Lucknow. Raju and I made several trips together to stationers' shops in the city where we gathered glue, scissors, markers, paint, bookbinding cloth, cardboard and paper. The cardboard was our biggest challenge. I wanted something nice and heavy (that wouldn't bend) and we found it - in large sheets that had to be cut to size. For that task, we were directed to Lucknow's small but fascinating bookbinding district, an area where I found artisans doing exactly what I was planning for my kids: covering cardboard with cloth, sewing pages, creating cloth spines ... methods still in practice around the world, but definitely not in mainstream publishing. I loved my visit to the papercutter's stall, where he used a huge old cast-iron contraption full of gears and pulleys and levers to cut 100 perfect sheets of cardboard and a big stack of page-sized paper. Tiffani had the job of choosing fabric for covers, but that's tough only because India offers such an overwhelming selection of gorgeous textiles. With all of our materials together, we were ready to work with the kids.

-Beth

Sunday, November 23, 2008

Lucknow Publishing Party


Once our Lucknow students understood how to compose and illustrate their own stories, they took the idea and ran with it! Each child had a writing folder in which s/he kept all drafts and all illustrations, no matter how rough. When the time came for "publishing", each was asked to choose a favorite piece to be edited and copied into a final, bound book (more on the bookmaking process to come). In this setting, the editing process was the most difficult teaching task for me and Tiffani (my colleague). There were several reasons for this. First, the kids were working in English, a second language for them. This meant more grammatical and spelling errors than we would have faced if the books had been composed in Hindi (a project I would love to take on in future). Second, we faced a time crunch. Our own Urdu language program ended in late August and we were determined to have the kids' book project complete before then. Finally, the editing process required intense one-on-one conferencing with each student. We were working in crowded classrooms and had about 40 stories to edit, but with a bit of chaos, a lot of hard work and the cooperation of the Acharya Narendra Deva Academy faculty, we managed to be prepared for the publishing party we had planned at the American Institute of Indian Studies (AIIS). Invitations were prepared and delivered to the AIIS professors, to our fellow Urdu students and to members of the educational and literary community from throughout Lucknow. Over 50 guests attended and our program was a great success. Six students read their books to the entire group (one girl and one boy from each class, chosen at random) and then each child had the chance to share his/her book informally with the party guests.


There were refreshments of course, photographs and flowers for our chief guests. We even had an article published in one of Lucknow's Urdu newspapers (The Daily Aag) the following day. The students were proud of themselves and of each other and I was thrilled!

I'm including the text of one student's story below:

HOLI
by Sandeep

One day I celebrated Holi. I was running away and my brother hit me with water balloons.
I fell down in wet mud. I was looking like a ghost. After this I took a bath and my brother hit me with water balloons again.
We danced with my friend. Our favourite song was Rang Barre. We enjoyed the song. We went to Imambara. We saw the place where prayer was offered, a wall and big gate.
After that we came back home. My mother made chips, barfi and gajra. We ate the chips, barfi and gajra.
After that I was wearing new clothes. I went to the temple and to the cinema. I met my friends and relatives.
After I went to sleep and I dreamed I played cricket and I made a century.
After I got up, I had lunch and my brother served khir for me.
I went to the temple and I prayed to God.
I came back home. I watched T.V. I had dinner.
I went to sleep and I said, "Every day should be such a lovely day."

Next blog post: cloth, cardboard, glue and the bookmaking process.

-Beth